Genres - Drama / Writed by - Gary Dauberman / After the survivors' irrevocable blood oath in It (2017)--and nearly three incident-free decades after the blood-soaked encounter with the demonic shape-shifter, Pennywise the Dancing Clown--the estranged members of the Losers' Club find themselves before a dreadful obligation: to return to Derry and honour their promise. Once again, the brutal murder of an innocent awakens the grisly memories of the past, reuniting the old band of companions, as the nightmarish monster has come back from the shadows of oblivion to terrorise the small town, intent on revenge and slaughter. Now, whether they like it or not, the now-successful Losers must probe deep into the fundamental fears of their troubled childhood, and summon up the courage to bring the terrible creature's reign of terror to a close. One last battle awaits Derry's remaining fighters of the supernatural. Will this final confrontation mark the end of the Losers Club, or will it be the end of the dreadful thing they call IT? / Release date - 2019 / country - Canada, USA / 2 hours, 49Min
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“So being Pennywise passes down through the family?” lol what no. There were a lot of curse words there, especially from the little kids, you wouldn't expect that to litterally any school and you'll hear alot, for me it first started happening in 4th grade.
Just like many films that follow up with parts 2, 3, 4 and 5. This one fails at chapter two. It didn't have the same strength and original feeling as the first one did. I was bored midway into it. I'm kinda disappointed. Two thumbs down. Better than the first chapter with its more visceral story-telling and frightening sequences, this entry into the "written by Stephen King" genre, is well received. I have seen most every horror film out there, and one thing I can't stand are cheap-ass jump scares as when they are overdone, it takes away from the this film has jump scares, but so well timed it leaves you thinking you know exactly when it will strike, but it doesn't. The CGI is mind blowing! Yes, you read that correctly horror fiends. There are scenes that had me squinting away from the screen as the 2 hour 45 minute run time played on, making we wonder, is this going to end. but it doesn't. It just kept delivering one fright behind another. The lighting was a tad better than the first film I think with good use of shadows.
Conjuring timeline/movies: we sp00ky 🥴🤩 Pennywise/IT: hold my balloon
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Pennywise luring children gives such child predator vibes. Wish we could have more scenes like that. Bone chilling. Watching trailer everyone is scared jaxon and pennywise: “helloo” 😂 that got me dead.
Why is there no way to stream watch the original 😡
Who is the Best? It- Like Annabelle- Comment. If only Eddie was as lucky in chapter 2... Multiple “wow” moments permeate the landscape of “It Chapter Two” like so many ominous, red balloons floating across a New England summer sky. Some will make you say “wow” for the sheer daring of their surrealism and the startlingly graphic nature of their execution. Others will make you say “wow” because they really do not work. Either way, director Andy Muschietti has absolutely gone for it with the sequel to his 2017 smash Stephen King adaptation, taking big swings and displaying both a muscularity and an elegance to his craft. And given that his film stretches nearly three hours, he gets more than ample opportunity to show off all those tools. “It Chapter Two” can be a sprawling, unwieldy mess—overlong, overstuffed and full of frustrating detours—but its casting is so spot-on, its actors have such great chemistry and its monster effects are so deliriously ghoulish that the film keeps you hooked. You won’t check out entirely, but you will check your watch several times. In adapting the second part of King’s nearly 1, 200-page tome, returning writer Gary Dauberman is in a tricky spot: What to keep? What to cut? He does a bit of both while also incorporating moments from the first film as well as new scenes featuring the characters as kids to fill in some gaps. As in the original, “It Chapter Two” works best when the members of the self-proclaimed Losers Club are bouncing off each other, their banter infused with a sparkling mix of hormones, humor, insecurity and camaraderie. Unfortunately, Muschietti and Dauberman spend a lot of their time keeping their perfectly picked actors apart on individual adventures, which drags out the drama and slows down the momentum. Just as the ending of the first film foreshadowed, though, the kids who escaped the villainous grasp of the evil clown Pennywise during the summer of 1989 have found themselves back in Derry, Maine—right on cue, 27 years later, to fight him again. They’d all gone their separate ways and carved out vastly different lives, and in introducing us to these characters as adults, Muschietti makes some gorgeous transitions that are smooth and inventive. But returning to their seemingly idyllic small town instantly revives their old rhythms and relationships. Mike Hanlon ( Isaiah Mustafa as an adult, Chosen Jacobs as a child) is the only one of the bunch who stayed in Derry; he’s the self-styled historian and the one who makes the fateful phone calls to round up his old pals when Pennywise resurfaces. Bill ( James McAvoy / Jaeden Martell) has gone on to become a novelist whose latest book is being adapted into a film, one of several meta bits scattered throughout. Beverly ( Jessica Chastain / Sophia Lillis), who endured a controlling, abusive relationship with her father, is now in a controlling, abusive relationship with her husband. Richie ( Bill Hader / Finn Wolfhard) is a hard-drinking, trash-talking stand-up comic who’s as acerbic as ever. (Hader’s performance is the highlight within this terrific ensemble as he shows off his perfect comic timing as well as his deep dramatic chops. ) Eddie ( James Ransone / Jack Dylan Grazer) remains a neurotic hypochondriac who’s married to a woman who looks and sounds an awful lot like his smothering mother. And Ben ( Jay Ryan / Jeremy Ray Taylor), who was both the poet and the brains of the group, shed his baby fat and transformed himself into a hunky, wealthy architect. Other than that, his defining character trait is the secret crush he still has on Beverly nearly three decades later; it grows a bit tedious. Perhaps the best scene in the whole film is the one in which they all reconnect for the first time over a boisterous, boozy dinner at a Chinese restaurant. They spin the lazy Susan, down shots of liquor, tease each other mercilessly and find it’s as if no time at all has passed—even though the memories of the trauma they shared are hazy at best. “It Chapter Two” is at its strongest when it explores the lure of nostalgia, not merely through pop culture references like “ The Lost Boys ” and Cameo’s “Word Up, ” but also in the cosmic way it can yank you right back to being the person you were long ago and never thought you’d be again. That unsure, evolving 13-year-old remains inside all of us, no matter where we go or what we do. Pennywise, however, has stayed the same all this time—and Bill Skarsgård ’s deeply creepy presence is sorely missed when he’s off screen. With a performance that’s as physical as it is verbal, he consistently manages to find that sweet spot between being terrifying and hilarious. He’s created an iconic horror villain for the ages. But the rules seem to be ever changing as to what Pennywise can achieve with his supernatural abilities. He knows what scares these characters, even as adults, which often manifests itself in strange, vivid ways. It’s the stuff of nightmares, even when they’re wide awake in broad daylight. But his omniscience and omnipresence tend to vacillate, and the collaborative power that ultimately challenges him isn’t too different from what we saw in the climax of the first movie. First, though, the members of the Losers Club must spread out across town and find totems from their youth as part of a ritual to purge Pennywise from existence; they do it at Mike’s insistence, part of the Native American subplot that also exists in the source material. It’s absurd and it’s a distraction; excising this element of the story would have made the film as a whole leaner and stronger. But while separating the characters significantly lengthens the running time, it also results in individual moments of insane terror, most notably the expertly staged and paced scene in which Beverly revisits her childhood apartment. What she finds there is one of those “wow” moments—you’ll laugh out loud in hopes of alleviating some of the excruciating suspense. Eventually, though, you’ll also come to realize that Pennywise gets a little repetitive with the frights he inflicts upon his victims. They’re of a few varieties: They’re staggering, slurping zombies, or they’re somehow spider-related, or they involve gallons of water or blood. (Henry Bowers [ Teach Grant / Nicholas Hamilton], the mulleted bully from the first film, also returns to do his cruel bidding in a way that feels contrived and superfluous. ) But as “It Chapter Two” shows us, not only can you go home again—you sorta have to. Christy Lemire Christy Lemire is a co-host of the YouTube film review show "What the Flick?! " Christy reviewed films for The Associated Press for over 14 years. You can find Christy's writing at She's also on Twitter @christylemire and on Facebook at. Read her answers to our Movie Love Questionnaire here. It Chapter Two (2019) Rated R 169 minutes about 3 hours ago about 23 hours 3 days ago.
The fortune cookie scene was just weird. Its not that the woman is penny Wise. Pennywise is “It” and It has taken a form of Beverlys fear (the witch from Hansel and Gretel) they dont get it.
Tilda is amazing. Great film. the director nailed the setting. What a trip. Pennywise: Hello React: Hello. Photo: Brooke Palmer ( Warner Bros. ) This post discusses the plot of It Chapter Two. In her spot-on review of It Chapter Two, our film critic Katie Rife identifies a moment that stands out among the Andy Muschietti-directed sequel’s many deflating sequences: Eddie Kaspbrak (James Ransone) confronting the fluid-dripping leper that haunted him as a child, back again for a nostalgic scare of sorts as an adult. During the climactic moment of their showdown, Eddie manages to wrap his hands around the leper’s neck, and it looks for a moment like the beleaguered Loser might actually gain the upper hand over this memory. “The scene is grimy and unnerving, ” Rife writes, “that is, until Muschietti drops in a brief blast of the cheesy AM Gold hit ‘Angel Of The Morning’ right when the terror is peaking, popping the balloon of dread instantly. ” The scene goes from creepy to comical in an instant; indeed, there was a loud collective laugh emitted from the audience at the screening I attended, as the film gave us permission to ignore our anxiousness and just revel in Eddie’s grotesquely absurd turn of events. Nobody was scared in the slightest, but we all had a good chuckle. And that’s It Chapter Two in a nutshell: It’s a bad horror movie, but it works rather well as a comedy—or rather, a comic drama about adults trying to come to terms with their lingering childhood traumas. Plenty of critics have singled out the humor in the film as a welcome element amid the creepy clown shenanigans, moments of respite from the ongoing efforts of Pennywise (Bill Skarsgård) to once more lure the former residents of Derry—the now-adult Eddie, Bill Denbrough (James McAvoy), Beverly Marsh (Jessica Chastain), Richie Tozier (Bill Hader), Ben Hanscom (Jay Ryan), and Stanley Uris (Andy Bean), called to return by their friend Mike Hanlon (Isaiah Mustafa)—to their bloody demise. At NPR, former A. V. Club film editor Scott Tobias approvingly mentions Chapter Two ’s “comic insulation” while otherwise panning the sequel. Angelica Jade Bastién at Vulture cites the “comedy from Hader” as delighting even as it also saps the movie of any tension. Perhaps most succinct of all, io9 ’s Charles Pulliam-Moore bluntly notes the movie “really, really wants to make you laugh. And it will, sometimes unintentionally. ” A few moments Muschietti engineered to scare do the opposite, puncturing any mood of bleak horror and bringing audiences into the comfortable world of his characters’ one-liners and rib-nudges. With the exception of Beverly’s unsettling return to her old apartment, none of the Losers’ individual experiences with Pennywise can effectively generate shrieks of fear, but they do emit plenty of chuckles. Richie fleeing a goofy Paul Bunyan statue come to life is but one case of “that’s silly, not scary” misfires. It’s hard to shake the feeling that Muschietti isn’t going for scares at all—that he did all he could with the first film, and the second one is about catharsis, not creepiness. This becomes especially apparent during the climactic confrontation with Pennywise, where a number of sequences in which the monster isolates various members of the Losers, and tries to bury them with their own fears, fall flat. This is best embodied by the film’s two MVPs, Bill Hader and James Ransone, as they are once more greeted by the three doors we saw in the first film, labeled “Very scary, ” “Scary, ” and “Not scary at all. ” Thinking they’ve outsmarted the trap this time, the pair open the “Very scary” door, and are greeted by… an adorable little Pomeranian. Despite the “we’re all about to die” circumstance, they take a beat and admire the sweet little animal (a callback to an earlier line from Hader’s Richie), approving “aww”s and all—right until the pup explodes into a giant ravenous CGI beastie, like a sillier version of the “Large Marge” scene from Pee-wee’s Big Adventure. The idea that anyone is meant to take this seriously—or find it at all scary—is hard to swallow. But as a moment of comedy, highlighting the diminishing fears of a group of people realizing they don’t have to let their pasts destroy their futures, it’s endearingly whimsical. Hader’s performance is the film’s highlight, probably because he’s playing the character most defined by their sense of humor. But Ransone deserves special recognition for playing the Saturday Night Live alum’s comic foil. Ransone, who previously laced straight-man humor into the horror of the Sinister franchise, is Hader’s underappreciated ally. His everyman anxiety plants the material in the broadly humorous territory that’s actually the film’s terra firma, rather than the nebulous clouds of fear that occasionally provide atmosphere. The two of them together—Hader feeding off the energy given out by Ransone’s long-suffering bundle of nerves, Ransone delivering wide-eyed beats of you’ve-gotta-be-kidding-me exasperation—transform It Chapter Two; rather than the listless horror that is supposedly the movie’s reason for existing, the pair turn the film into a much breezier and heartfelt (if supernaturally-minded) dramedy that has far more in common with Stand By Me than The Shining. And that’s perhaps why the film initially seems like a letdown: It doesn’t fulfill its expected task of making you scared. But what it does do, gradually and with gently unexpected elan, is take viewers past what turns out to be a sideshow distraction of clown-based nightmares, and leads them into an often funny study of everyday struggles to make peace with the past. It’s just that all that slice-of-life stuff comes with blockbuster CGI window dressing and faux-jump scares dead set on undercutting their own spooks in favor of smiles. Early on, when a bevy of supernatural grotesqueries come oozing out of a bowl of fortune cookies, the Losers fight them off, overturning plates and slamming them into walls, ending with Richie pounding a chair down into the middle of the table to destroy the remaining monsters. The film smash cuts to a horrified waitress looking in on their private room, where she sees no evidence of the magical monsters—and then a perfectly timed comic beat, complete with a “We’ll take the check” button of a punchline. If you’re expecting a horror show from It Chapter Two, you’ll be disappointed. But if you let It Chapter Two reveal itself as a comedy-drama about childhood and letting go—topics that are as much a part of the Stephen King canon as malevolent spirits and tortured-writer-stand-ins—you’ll find a film that’s far easier to enjoy.
A smarter than expected film that at times is a little over ambitious but is grounded by a perfect cast. What was music in beginning. Get Full Metrics On This Ad 10 days of access across the site Media Measurement National Airings First Airing Last Airing Creatives Est. Spend TV Impressions National Local VOD/OTT Attention & Performance Analytics Attention Score Industry Avg. Earned Online Views Social Impressions Sentiment Engagement Rating Spend Impressions Engagement It Chapter Two Submissions should come only from the actors themselves, their parent/legal guardian or casting agency. Please include at least one social/website link containing a recent photo of the actor. Submissions without photos may not be accepted. Voice over actors: provide a link to your professional website containing your reel. Submit ONCE per commercial, and allow 48 to 72 hours for your request to be processed. Add Actor/Actress Details.
In the movie when the footsteps got louder it scared the shit out of me. 1:18 was the most intresting to watch I literally kept going back bro like my comment if you thonk the it clown is scary. Okay the guy that plays young Billy is so talented. Cant wait to see what he does in the future.
I think penny wise broke the glass in the circus because hes so scary. Watch the epic crossover between IT CHAPTER 2 & THE LORD OF THE RINGS. Here to relive the excitement and contentment I felt while waiting till two in the morning for this to premiere. The countdown, my eyes bulging out my head from being so invested in it, finally seeing and hearing the content I've wanted for two years, thinking the music was the most awesome thing to reach my ears, rewatching it at least ten times and then finally going to bed, coming up with ideas and theories as to what is what, the visuals and audio were so astounding to me and I felt so intense but in a good way. When it came out in theaters, I waited a week so I could enjoy it without a crowd and went on a school day (I graduated last year) a couple people said they wanted to come with me but I said no because I didn't want to associate my new favorite movie with another person and I also wanted to just enjoy and soak up the experience. I loved the movie (still do) and although it was a bit disappointing in some regards, I'm still hoping for a directors cut or a prequel. For a long time THIS was what I was looking forward to.
3:38 that was so on sync and I did not like that 💀. When the boy and Pennywise both said “HELLOOO” 😂💀 3:38. This is not scary but I cried when. EDDIE FREAKING DIED. Holy crap. Georgie sounds older. When he says, “You lied. And I died.” He sounds like hes almost a teenager. I like when he say tasty tasty beautiful fear.
Goosebump inducing scenes. Every minute was candy for the senses. Love the dark fairy tale vibe. Just amazing.
Am i the only one who thinks jaxson looks like the kid who plays bill.
Weird creatures coming out of fortune cookies. Me: Looks like a baby to me...
2:43 he was kinda cute there.
Thank God we don't have to wait 27 years for this one 😅. IT Chapter Two Own it Today Follow facebook twitter instagram Own It About Original Theatrical Release September 6, 2019 Rating R Genres Suspense/Thriller, Horror Videos Gallery. Favorite part was when Richie getting possessed the effects though. Biggest fact Stanley died for no reason.
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